The Baptism of Jesus in the Baptistry of the Ariani. This was our first glimpse of Ravenna’s mosaics and it was duly impressive. That’s Jesus standing in the River Jordan, with John the Baptist doing his thing. We giggled when we noticed you could see Jesus’s penis.
From Castelnuovo we hit the road and drove across Italy to the little city of Ravenna, about 100 miles due south of Venice along the Adriatic coast. With 160,000 people today Ravenna might not seem like much, but it was once the capital of the Roman Empire, or at least the western portion of the Roman Empire. For nearly two hundred years, while the rest of Italy was falling into chaos and destitution, Ravenna – closely linked with the still-prosperous eastern Roman Empire based in Constantinople – was having its Golden Age. Today the city is supposed to have the greatest collection of eastern mosaics in the world so we came to see for ourselves.
It’s true. Amazing. Eight of the old buildings – all built in the fifth and sixth centuries so today around 1,500 years old – are listed as UNESCO World Heritage Sites, for obvious reasons when you see them. When we walked into he first one, the Baptistry of the Ariani, we couldn’t believe it. These brilliant, stunning mosaics are 1,500 years old? They precede the Renaissance by a thousand years? It’s small, just a single room, and the mosaics from the walls have all been lost. But the mosaic in the cupola of Christ’s baptism blows you away. And it was free!
(As an aside, one of the great bargains of our travels so far is that for $10 a person you can buy a ticket that lets you into five of the UNESCO sites (two were free and one required a separate ticket). And, just to make it clear that they’re being accommodating, the tickets are good for up to seven days. So take your time, enjoy it, look around. We did, spending parts of four days admiring these ancient mosaics.)
The Basilica of Apollinare Nuovo, named for the first bishop of Ravenna. There are three levels of mosaics along the side, with those at the top little more than a blur. One wonders how much work went into artistry that is so hard to see.
Virgin and Child among S. Apollinare Nuovo’s mosaics
The Magi bring gifts
One of my favorites, the Parable of the Widow’s Mite. Written of in both Mark’s and Luke’s gospels, the widow donates but two tiny coins – mites – to the church, while rich people give far more. Jesus explains to the disciples that the small sacrifices of the poor mean more to God than the extravagant, but proportionately lesser, donations of the rich. As you can see, Christ was an early proponent of progressive taxation.
How did all this come to be? Here’s the quick history. Back in 285 AD Emperor Diocletian determined that the Roman Empire was simply too big to be governed effectively from a single location so he divided it into east and west, with co-rulers in charge of their respective spheres. While today the eastern empire is known as Byzantium, the people living there always thought of themselves as Romans, even as they adopted the Greek language and split from the Roman Catholic Church. As the western half of the empire went through it’s long and painful collapse, the east soared under leaders like Constantine, Julian the Apostate, and Justinian.
Believed to be a mosaic of Emperor Justinian, largely because it says in big letters “Justinian”
The Germanic general who deposed Romulus Augustus, Odoacer, ruled as King of Italy until the Byzantine Emperor Zeno needed to get another Goth, Theodoric, King of the Ostrogoths or western Goths, out of his hair. He suggested that Theodoric invade Ravenna and take the old western empire. Theodoric succeeded in defeating the Visigoths – killing Odoacer with his bare hands, in fact – and ruled Italy from Ravenna for the rest of his life.
His successors weren’t so effective or successful, though, so in 535 Emperor Justinian in Constantinople decided it was time to step back into Italy. He sent his great general Belisarius across the Adriatic to reconquer Italy; by 540 he controlled Ravenna. Thus the city’s Golden Age was reignited, as Ravenna became the seat of the Byzantine Exarch, or governor. There was a lot to clean up as both Odoacer and Theodoric had been Arian Christians, a heresy despised by true Christians. (Arians believed that Christ was created subsequent to God the Father and was thus subordinate to Him. Obviously crazy – who could believe such nonsense? – Arian beliefs were not to be tolerated.)
While the religious battles of sixth century Christians may seem obtuse to us today, they resulted in some great church-building and art in Ravenna. Ultimately the Byzantines held Ravenna, even as the rest of their Italian lands were taken, until the Lombards finally conquered it in 751 and definitively ended Byzantine presence in Italy. For centuries the great churches and mosaics of Ravenna were all but forgotten.
The Basilica of San Vitale may be the grandest of them all. Here in the apse we see Christ seated on a blue globe presenting a crown to San Vitale, about whom little or nothing is known.
Each of the Apostles gets his own portrait in the Basilica’s triumphal arch. I particularly love this shot of Andrew with his intense eyes and wild hair.
That, then, was Ravenna, a great little find. Oh, and one little note about the marvels of modern technology while admiring ancient art. I like to run, so I headed out one morning for an invigorating five-mile jaunt. I’d scoped out the area and saw that after just a mile or so I’d be out in the country. I go out about 2.5 miles, feeling great on a quiet country road, and turn around to head back. Unfortunately I a missed a turn, got a little lost, and – figuring I knew roughly where to head – kept running. As I neared the five-mile mark I knew I was nowhere near our hotel.
The good news is that I run with my iPhone and, with our SIM cards and data plan, can easily map my location. When I stopped at five miles, then, I pulled out my phone … and saw that I was nearly 2.5 miles from where I was supposed to be. I’d gotten completely turned around. Had I not had the phone and map-making capabilities I’d still be wandering around rural Ravenna.
A detail shot from the Basilica of San Apollinare Nuovo. The guy on the right looks an awful lot like the guy we used to work for at the AFL-CIO!
Basilica of San Vitale
Empress Theodora, wife of Justinian, in the Basilica of San Vitale. This image of her is all over Ravenna. Note the three Magi bearing gifts in the hem of her gown.
Emperor Justinian and Bishop Maximian, standing to his left. It is thought that the bearded guy to Justinian’s right is his general, Belisarius.
There’s a good story with this shot from the Basilica of San Apollinare Nuovo. It was built during Theodoric’s Arian reign, and this is in fact a representation of his palace. When the true Christians regained Ravenna under Justinian they needed to purge all signs of that awful heresy. So they added the curtains to eliminate the people who HAD been displayed there. They missed some, though, as you can see the hand that I’ve circled in the lower left side of the picture.
More mosaics from the Basilica of San Apollinare Nuovo
And one more shot I liked
A mosaic in the cupola of the Neonian Baptistry. Another Christ, another baptism. This baptistry predates that of the Ariani, shown above. In fact, the baptism shown in that picture above is essentially a copy of this one down to and including the exposed penis.
Detail from the Mausoleum of Galla Placidia. It’s a tiny space just packed with lavish mosaics. Oddly, though, despite it’s name it seems as though Galla Placida – daughter of Emperor Theodosius, regent for Emperor Valentinian for 14 years, and a major player in Roman politics throughout her life – was never buried here.
The Basilica of San Apollonare in Classe is about five kilometers out of town. It’s the most expensive of the various sites, the hardest to get to, and the least impressive. Sad.
Theodoric’s Mausoleum. There’s really nothing left inside here, as his body was tossed out and all the decorations were destroyed when the real Catholics regained power in Ravenna. There was no room for Arianism in the city back then, alive or dead.
Just to prove that we were really there and not just copying pictures from the Internet, here’s Mark behind the Basilica of San Vitale
Actually, the picture that says Justinian over it is probably a picture of Theodoric, because it was probably made when the other mosaics in that room were made–while Ravenna was ruled by Theodoric and at war with Justinian. Also, he’s wearing a Langobardian crown. The Romans either added the mosaic to the church after conquering the city (unlikely, since it matches the style of the other mosaics), or added the word “Justinian” to it to avoid having to tear it down.
Er, my mistake. There is disagreement about whom it’s a picture of, but the church was dedicated after the Roman had retaken the city. (And I should have said it was a Lombard crown.)
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